By David "Chet" Williamson Sneade
Although he played with Emil Haddad, one of
Given the fact that he also played with national acts the likes of Will Bradley, Ina Ray Hutton, and Al Hirt, his profile should be much more recognized.
By most accounts, Bobby Holt was a self-taught pianist, but his mother played the keyboard in the family home. He was somewhat of a child prodigy. At 9, he led his own band, the Kandy Kids, and appeared every Friday at 6:45 p.m. on WORC radio. According to the Worcester Directory, the family lived at
Bandleader Eddy “Sham” Shamgochian recalls first hearing him in the 1930s with fellow drummer Eddie Dolbare’s band. “That was a good little band,” he said. “They had a great guitarist by the name of Lou Mercuri [who went on to play with Claude Thornhill]. Bobby was a couple of years older. He was very fine player.”
Eddie Dolbare's Band |
Art Hodes |
In his
book, The Story of Boogie-Woogie: A Left
Hand Like God, author Peter J. Silvester stated: “A friendship with Art
Hodes assisted [Holt] with the mastery of the boogie-woogie style, which he
played with conviction.”
Holt’s
break came in 1941 when he received a call to join a national touring band led
by trombonist and bandleader Will Bradley of "Beat Me Daddy, Eight to the Bar" fame. “Holt was leading a band in Worcester , Massachusetts , when the call came,” Silvester
said. “Before that he had spent 1940 working in New York attempting to gain recognition
for his piano playing,” Silvester said.
Although
the opportunity to tour and record for the first time came with Bradley band,
Holt’s stay was not long, only two months. He did hang long enough to ask
Bradley to be the godfather of Holt’s daughter, Linda.
Holt’s
departure was covered by Downbeat,
who reported that he was replaced by Billie Maxted for its opening night at the
Hotel Astor in Times Square . No other reason was given. Although it is assumed that
Bradley was looking to shed his reputation as a band that played boogie-woogie
music.
Ray McKinley, Don Goldberg, and young Bobby |
“In 1941, Bradley made public his views about the band’s boogie-woogie policy, saying he did not want to be known as the King of Boogie-Woogie, particularly as being misapplied to any music associated with jitterbugs,” Silvester said.
Prior to
Holt’s arrival, pianist Freddie Slack was featured and a tremendous draw in the
Bradley band, along with the drumming and singing of Ray McKinley. According to
Silvester, fans expected to see Slack hammering out his signature
eight-to-the-bar beat. “Freddie Slack should be credited with introducing
several new ideas into his boogie-woogie interpretations and his arrangements
of orchestrated boogie-woogie pieces,” he said. “His efforts probably helped to
make boogie-woogie acceptable to a wider audience by removing much of the
elemental treble dissonance and introducing in its place catch melodies that
could be whistled or hummed and lyrics that were in keeping with the ‘hep cat’
attitudes of popular American culture of the 1940s.”
This Billboard ad highlights the fact Bradley is featuring drummer Shelly Manne and pianist "Bobbie Holt." |
In
describing the piano work of Holt, Silvester asserted that, “More than any other
white pianist playing boogie-woogie at the time, Holt experimented with playing
new and complex basses. The effect was highly original and contrapuntal form of
boogie-woogie.”
boogie-woogie.”
Bobby on stage |
Holt
scuffled around New York working with such stars as Ray
McKinley and Ina Ray Hutton. As WWII began to intensify in Europe , Holt set aside the music to join
in the war effort. On September 28, 1942 , he traveled to Springfield , MA and enlisted in the Army Air
Corps. His occupation at the time of enlistment was “musician and teacher of
music.” He is listed as being 5’ 6” tall, weighing 122 pounds, and married.
After the
war, Sgt. Holt returned to town and opened a teaching studio in
the Day Building in downtown Worcester where he taught the “modern piano
method.” He and his young family lived at 22 William Street.
He also hooked
up with drummer Ed Shamgochian, whose ensemble became the house band at the Ye
Old Tavern in West
Brookfield .
The group also played summers at the Sea Crest Beach Hotel in Falmouth on the Cape . Other members included Emil
Haddad, Paul Burby, Eddie Defino, and Teddy Lane .
In 1948,
Holt appeared with George Robinson’s orchestra at the Moors, a nightclub and
showcase in Shrewsbury . However, before the year was
out, he re-enlisted in the military and for the next 26 years was a working pianist
in the Unites States Air Force.
Burby, Holt, Sham, Defino, and Haddad |
Originally
stationed at Westover Air Force, Chicopee , MA , Holt’s tour of duty took him to Waco , Texas ; West Palm Beach , Fl.; Reykjavik , Iceland and the island of Guam .
Upon
retirement in 1969, Holt first settled in Chicopee and took a job teaching at the Cathedral High School in Wilbraham and taught
privately. He also moonlighted as the pianist in the Teddy Lockwood Band.
His first
wife, Vivian (Hallback) died in 1976 and Holt married Eileen Gelsone in 1977.
The newly weds thought it was time to leave New England weather and headed south. She
had family in Texas . Along the way, Holt decided to
stop in New Orleans and look up old military friend Al Hirt. The two
musicians were stationed together in Massachusetts during the war.
Talk
about being in the right place at the right time. The renowned trumpeter’s pianist
had just given his notice and offered Holt the gig. The Worcester-born pianist accepted and immediately Holt
began working with Hirt culminating in an appearance on the Johnny Carson show.
The program is dated at December 11, 1979 , where the band played “Hot Lips
and Sugar Blues.”
Holt with Hirt in New Orleans |
The Holts
settled into Metairie , Louisiana . She was a nurse and Bobby played
at Hirt’s nightclub in New Orleans . After 10 months of the late
nights in the Crescent City , the “City That Care Forgot,” the
Holts moved on to Texas , where Eileen’s children (from a
former marriage) had settled. The couple lived in the Kerrville/Fredricksville
area. At this time, Holt was approaching 70, but continued to play in general
business and jazz bands in town.
Family
members recall that Bobby started showing signs of memory loss as early 1993. He was
later diagnosed with Alzheimer’s Disease, yet he continued to play the piano to the end.
He died in San Antonio, Texas in 2001. In a gesture fitting this great
American, a memorial service was held for Mr. Holt at the Park Congregational
Church, 80 Russell St., here in Worcester .
Robert “Bobby” John Holt
DOB: June 13, 1921
DOD: Special thanks to the Holt family for their assistance in the piece.
*Note: This is a work in progress. Comments, corrections, and
suggestions are always welcome at: walnutharmonicas@gmail.com. Please check out my features on Worcester songwriters at: www.worcestersongs.blogspot.com.
Thank you.
Resources
Eddie
Sham
Will Bradley
http://articles.philly.com/2001-05-28/news/25302498_1_banjo-post-band-american-federation
Art Hodes
obit
Ray
McKinley
Holt with
Bradley on record
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