Charlie Parker, the Bird in flight |
Weeding out fact from the weeds in any part of the saxophonist’s short and tragic life is like trying to determine your belongings caught up in a tornado.
The only
documented appearance happened at the Worcester Memorial Auditorium on Tuesday,
February 9, 1954 . Parker was part of a tour package called The Festival of Modern
American Jazz. The bill also included Stan Kenton, Erroll Garner, Dizzy
Gillespie, June Christy, Candido, and Lee Konitz.
In his column, “Backstage with James Lee,” the Worcester Evening Gazette reporter noted, “Al Wilde, promoting the Stan Kenton Jazz Festival at the Auditorium next Tuesday, sends word Kenton will play no otherNew England city on this tour. He comes here
from Pennsylvania and pops out the next day for White Plains , NY .
In his column, “Backstage with James Lee,” the Worcester Evening Gazette reporter noted, “Al Wilde, promoting the Stan Kenton Jazz Festival at the Auditorium next Tuesday, sends word Kenton will play no other
“For the
real aficionados, here are the musicians who’ll be with Kenton: Buddy Childers,
Sam Nato, Stu Williamson, Don Smith, Vic Minnichiello, Frank Rosolino, Bob
Fitzpatrick, George Roberts, Joe Ciaveridone, Milt Gold, Bill Perkins, Chick
Eddy of Milford, Charles Mariano, Dave Schildkraut, Anthony Serina, Stan Levy, Don
Bagley, and Bob Lesher.”
Standing the tallest, Stan Kenton in a Worcester record store |
Stan
Kenton was the headliner and received most of the press. In his column, under
the headline of: Kenton’s Vow finally Fulfilled; Draws Big 2500 to Auditorium,
Lee wrote: “Here’s the big news of the week: Stan Kenton and his orchestra
finally clicked at the box office in Worcester .
“Tuesday
night’s Jazz Festival at the Auditorium drew 2500 customers, a fancy turnout
indeed, and with a top price of $3.50, that gave Stanislaus a substantial gross
and a neat profit. For several years, Stan and his progressive jazz flopped all
over the place when he played Worcester . Those who attended were almost
fanatical in their adoration of the music but, there weren’t anywhere near
enough of them.
Stan Kenton at the piano |
“After one of these dates Stan announced he’d never appear in the city again. Then he changed his mind and vowed he’d keep coming here until he was successful. Well, he finally did it. True it was a profitable crowd a few years ago when he came here with the Big Show, but considering the other big names on the stage that couldn’t be credited entirely to the band.
“But Tuesday night it could. Dizzy Gillespie, Erroll Garner, and the rest were great, but Kenton obviously was the magnet that brought the crowds through the Auditorium doors.”
In addition to a review of the show, the intrepid columnist also dished some behind-the-scenes activities as well. He mentioned that after the concert, Kenton and his manager George Morte of
Mussulli,
who also hailed from Milford , was a close personal friend of
Parker. Stories of Bird playing the Crystal Room in the Southern Worcester County
town still abound in these parts. It’s also well known that Parker loved Mrs.
Mussulli’s Italian cooking.
Lee also reported that the entire musical entourage afterwards returned to
Speaking
of Aboody, in another feature on the Auditorium show, Lee wrote, “The Worcester
Stan Kenton Club was out in force Tuesday night, led by its officers, Joe Aboody
and Henry Vito. The 60 members occupied two special rows of seats down front,
each one wearing a big badge containing the maestro’s picture. Stan got a kick
out of it.
Joe Aboody at the El |
“Kenton
was a pretty happy guy when he left Worcester yesterday afternoon for White Plains , NY . He said he’ll be back here next
season with another Jazz Festival,” Lee said.
The
question is: Where is Bird in this picture? Who did he play with at the show?
Where did he go afterwards? Did he stay in town? Did he have friends here?
This is
what we know of Parker’s whereabouts during this time. In most of February in 1954,
he was busy touring with the Festival of Modern American Jazz. The package took
him up and down the east coast from Worcester to Atlanta , parts of the north in the cities
of Toronto , Detroit and Chicago , through the south from Nashville to New Orleans , and out west from Seattle to Los Angeles .
In an
interview with Stan Levey (former Kenton and Parker drummer), he recalls that
Bird was ill at the time. He also notes that the saxophonist played with Dizzy
Gillespie on the tour. See:
Parker joined the tour on
Bird and band at the Hi-Hat. Hear sound clip at: http://www.youtube.com/watch?v=aVUq4R9WvH0 |
Whether Bird hired this lineup for his Kenton tour is not known. It should be noted that there is a private recording of Parker playing with the Kenton band from the Festival of Modern American Jazz live at Civic Auditorium in
Here’s
what the Kenton band sounded like in 1954 -- http://www.youtube.com/watch?v=6VdFikUS1T4
Directly
following the tour, Parker worked with the Joe Rontoni Trio at the Tiffany Club
in Los
Angeles .
So,
again, where was Parker in Worcester ? In the liner notes to the Uptown
Records release titled, Charlie Parker Boston 1952, writer Bob Blumenthal
asserts that on February 9, 1954 , Bird played at the Knights of
Columbus Hall on Elm Street in Worcester . “Boots Mussulli organized this
Sunday afternoon jazz session that featured Parker’s group (with Joe Gordon)
alternating with Mussulli’s group," he said.
This is
the same day of the Auditorium concert, whether it was before or after the show
is not known. As far as the Knights of Columbus Hall, there was no such
establishment. It could have been the Elks Lodge that was located on Elm Street .
In the
35-page booklet, produced by Dr. Robert Sunenblick, he states Parker worked throughout the Commonwealth including at
least one other time in Worcester . In 1951, Bird did a five-city
tour of the state with the incredible lineup of baritone saxophonist Serge
Chaloff, pianist Nat Pierce, bassist Jack Lawlor and drummer Joe MacDonald.
“Coming off this tour,” Sunenblick said, “Joe MacDonald drove Parker to
Christy’s in Framingham , Mass. , where three of the four tracks
issued on The Happy Bird LP on Parker
Records were recorded.”
Sound clip here: http://www.youtube.com/watch?v=gtGVC4sPxRw
Sound clip here: http://www.youtube.com/watch?v=gtGVC4sPxRw
MacDonald
remembered Wardell Gray coming out to Christy’s with Howard McGee, who was
appearing at the Hi-Hat in Boston with the Oscar Pettiford Sextet.
The tour
was booked by Mussulli and said to have stopped at Storrs , Conn. , Northampton , Holyoke , Springfield , and a Worcester show with no information included. There is no record of Charlie Parker's appearance in this city. I spoke to a collection of musicians and jazz fans around at that time, who said if he was here they would have known it. The theory is that the show was cancelled. In Ken Vail's book, Bird's Diary; the Life of Charlie Parker 1945-1955, the author places the saxophonist at Christy's in Framingham on Thursday, April 12, 1951. The day before he had closed at Birdland. The day after, Parker was back in New York playing at the Apollo Theater. However there are open dates scattered throughout the April calender that year, but Vail cites none of the five Massachusetts shows in question.
Dave McKenna |
Other
local Parker dates include possibly two others at the Cyrstal Room in Milford, possibly in 1952 and '53. The band for at least once of the shows included McKenna and Worcester trumpeter Emil Haddad.
Whether
or not the Charlie Parker appearances in Worcester become fully documented is yet to
be determined. What is certain is the fact that his musical impact was enormous
and enduring. His influence on musicians -- both of his generation and beyond --
continue to be felt in Central New England and around the world. Parker
died one year after the Auditorium appearance on March
12, 1955 .
He was 34.
*Note: This is a work in progress. Comments, corrections, and suggestions are always welcome at: walnutharmonicas@gmail.com. Thank you. Please check out my blog on Worcester songwriters at: www.worcestersongs.blogspot.com
Resources
Yardbird
Suite: A Compendium of the Music and Life of Charlie Parker
Dave McKenna
http://www.ripopmusic.org/musical-artists/musicians/dave-mckenna/
Doug Ramsey’s Rifftides
http://www.ripopmusic.org/musical-artists/musicians/dave-mckenna/
Doug Ramsey’s Rifftides
Great article. Thanks Chet!
ReplyDeleteNow I have to ask my parents why we missed the show. Ok, it was a year and a week after my birth, but I was already groovin' to Dad's collection of Benny Goodman records.
Nice Ornithology work Chet! I read somewhere that toward the end of his life, Bird worked clubs in New England partly because he couldn't work in NYC, due to not having a cabaret card (required then for all who worked in clubs serving alcohol).
DeleteAnyway, what a fascinating historical addition to his discography/bio. Thanks, man.
Bird and Dizzy did both play on this tour, but not together. Bird played an arrangement of Night and Day he had recorded with Mercury, and then two new arrangements, My Funny Valentine and Cherokee, by the brilliant young Kenton arranger Bill Holman. Dizzy had his own features, which tended to go on and on and get a bit silly.
ReplyDelete